﻿WEBVTT

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<v ->So, my name is Tim Howard,</v>

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and at Western Connecticut State University,

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I am a professor of theater.

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And, I'm also the coordinator

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for the BFA Musical Theatre Program.

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So, it's really kind of broken into three parts.

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The first is, I'm the coordinator

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for the Musical Theatre Program;

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and we have, we'll have

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next year we'll be at our cap,

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and so we'll have 64 music theater.

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It's by audition only.

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So, that is a huge part coordinating the program,

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doing the auditions, basically keeping it

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up and functioning.

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Then, the second part is to be a director

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of one or two shows per year,

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usually large musicals is what I'm asked to do.

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And, then, the third part would be

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being a professor of theatre.

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And, so, I teach Acting II;

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I do Music Theatre Workshop,

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occasionally Acting for the Camera,

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when we offer that, Audition Techniques.

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And, then something called Transition Workshop,

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which is basically bridging academia

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with the professional world of show business.

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So, we prepare the students then

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to start thinking of themselves

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at the end of that four years

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as a business.

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And, train them to be completely prepared

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with a professional resume, and head shots,

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and website, and a reel, and business cards,

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and then take them into New York City.

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And, actually, they get private auditions

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with agents and casting directors.

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And, so, that's the broad range of what I do at West Conn.

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Once we start rehearsal,

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it's usually six weeks of rehearsal,

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and then we go into tech.

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So, it's approximately seven weeks

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that would be involved, rehearsing

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from 7:00 at night to 10:30.

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So, the preparation is a lot of what I do

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prior so that I can come in,

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particularly with the large-scale musical.

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There's a lot of staging.

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The last show I did, there was 35 people in the cast.

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So, you can't just kind of come in and wing it.

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You have to have the picture in your head.

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So, I would end that at 10:30,

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do the rehearsal schedule for the next day,

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try to go home and get some sleep,

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and get back up in the morning,

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and coordinate the program,

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answer all the administrative stuff,

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and then I, yeah,

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and then I have usually three to four classes

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that I'm teaching, in addition, throughout the day.

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So, it's a busy schedule,

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but, you know, I'm the luckiest guy in the world.

