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<v ->My name is Michael Allan,</v>

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I'm a 1998 graduate of the law school.

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I work at Steptoe &amp; Johnson in Washington D.C.

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and I am chair of the copyright practice

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and co-chair of the trademark practice.

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So, intellectual property is a property right

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much like real property.

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If you own a house or a car or a physical thing,

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this is sort of intangible.

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It's an intangible piece of property and asset.

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It could be an idea, it could be an invention,

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it could be some sort of source designation

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you have for branding.

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It could be some particular piece of know how

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that would constitute a trade secret,

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so it's anything that doesn't have a physical..

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Necessarily, have a physical attribute to it,

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but is nonetheless very valuable and protectable.

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And, you know, some companies in the world,

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their most valuable assets are entrepreneurial properties,

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their patents, their trademarks, their copyrights,

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their trade secrets, those sorts of things.

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I represent a lot of companies in the luxury brand space

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that have very valuable trademarks

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and we go after folks that infringe those trademarks.

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I represent several companies,

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particularly in the music space,

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that their entire value of their company

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is based on the copyrights they own in their songs.

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So, when people infringe those songs,

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we go after those folks.

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I'm also involved on the trade secret side

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in defending a lot of companies

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that are accused of trade secret theft,

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and most times these are international cases.

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Competitor to competitor type cases,

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which can wind up in very substantial litigations.

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What I do and what kind of decisions I make?

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It's every one of them..

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It's from staffing the case to what are the complaints,

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what are the accounts we put in the complaint,

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or for affirmative defenses we put in the answer..

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What's the discovery plan,

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who are the witnesses we take or defend,

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what experts do we need and who are they,

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what's the trial strategy plan,

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who do we have for the trial team,

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what's the theme of the case..

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The theme is really hugely important

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from kind of the get go,

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and, you know, if you actually go to trial,

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what do you argue to the juries, assuming there's a jury?

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What works, what's not gonna work?

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A lot of times these are very technically complicated cases

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and you've got to really explain this to, you know,

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depending on your jurisdiction,

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eight, ten, twelve laypeople

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who don't understand a lot of this stuff,

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and so, you know, kind of the whole package soup to nuts

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is what I have to look at when I take a case in

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and kind of prepare the case to give it the best shot

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we have for winning.

